There's a saying: "there's no small parts, only small actors" or "don't count the words but make every scene counts".
Small parts are extremely important and we should be greatful for them. In a good script every page, every character, every breath moves the story forward. It's our job to study the best options and deliver the best performance we can. In the film "Burnt", Alicia plays Adam Jones ex girfriend who releases him from the debt. She provides him a new beginning, free of stress and fear and helps him getting closure with his past. We could make a whole movie about this but, in fact, her screen presence only lasted 2 to three minutes.
Alicia 's face was new to me. I couldn't remember her from "Anna Karenina" and I never watched her film "Ex Machine" either. I could never imagine how far she could go as an actress, especially before watching "The Danish Girl".
For sure small parts prepares us for leading ones but sometimes there's a certain feeling of despair for not having enough material to study, for not having a fully developed character with a journey to explore. Sometimes small parts do not let anyone know how far you can go emotionally, how far you can stretch yourself as an actor, how capable of handling a leading role you are. You wait someone notices your commitment and professionalism on set, you wish someone sees something in you and trusts you for a bigger role. But it's frustrating sometimes.
I normally watch Cheers and Seinfeld and series from the nineties and there's a lot of famous actors who played small parts in those TV shows. We look at them differently now. We see them playing a small part and a purple journalism would underline their promising beginning. Actors do need scripts and lines and a story to tell to practice their voice, their camera and stage presence, to discuss options with other actors and directors, to grow, to fail, to grow even more, to learn responsibility and to manage their public presence too. We need to fight more for those roles. We learn by being on set observing established actors and ocasionaly interacting with them with a line or two. But there's a moment where we need to stop observing and aim to be the ones who play the main and the secondary roles. The strong and layered ones. Sometimes I wonder if we are afraid of success. But that's a topic for another post. It's true, if a script is good there's no small parts but sometimes those parts can't inform you how big an actor can be. It's our job to fight for those big roles. And if you're afraid of exposure and success maybe... if we think twice... it's more difficult and exhausting to stay where you are now...
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